Thursday, October 30, 2008

Collective Pursuit tonight @ Europa Night Club

Tonight I will be performing with Collective Pursuit, an 8 piece jazz ensemble packed with talented players. We're part of a night of performance art where bands and painters will collaborate to create a larger experience. If you're in NYC, come to Greenpoint, Brooklyn to and be a part of the event:

Collective Pursuit @ Europa Night Club
11:30pm - 12:30am
Featuring Cody Brown (d), Craig Akin (b), Bobby Avey (p), Cameron Mizell (g), Luke Malewicz (tb), Michael Eaton (ts), Jackie Coleman (tp), and Kt Chauvot (tp)

Europa Night Club
98 Meserole Ave. (at Manhattan Ave)
Brooklyn, NY 11222
Visit my calender to see more of my performance schedule.

Wednesday, October 29, 2008

To do list.


When I started this blog, I intended to write something every day to keep me focused on whatever I was actually doing to build this little business of being a musician. It's been a great exercise. I typically sit here and just think through my fingers, organize my thoughts, and then put them into action. If anyone reads it, that's an added bonus (Hi, Mom).

If I haven't had anything interesting to say recently it's because I have so MUCH interesting things to say, or at least things I think are interesting and frankly my dear don't give a damn if you do or not. Some of the articles/posts in the pipeline:

-Metadata! What's that? I'll tell you, and why I think it's important. Who am I kidding... I'll link to the Wikipedia page and then tell you why I think it's important for musicians.

-Gigs! No, not computer memory, but the things musicians do that supposedly makes them all their money while everyone downloads their music for free. Which brings me to our next topic...

-Free! Again, my thoughts about giving away music, but this time why the idea of rampant downloading frustrates the hell out of the people that actually invest their creative energy, time, and money into the music, aka artists. I'm one of them, yet I'm indifferent about the downloading and I'll tell you why.

-Music Entrepreneurship! I was asked what I thought about a Masters degree that would essentially prepare students to do more or less what I do. It's a really interesting concept. How do you make this successful? I don't know, but I'll write down my thoughts.

And a few still shaping up in my head. Many of these will be posted at the new website Dave Hahn and I started:

http://www.musicianwages.com

If you haven't checked it out, please do. There are a lot of posts there so far, and a forum for discussions amongst musicians. If you have a question, ask it in the forum. Dave, myself, or one of the other great musicians that are contributing to the site will try to answer it, or find someone that can.

Blogging is just my side gig, though. The real reason I haven't been writing much recently is because I've been BUSY. And it's great. I'm writing a lot of music, practicing a lot, and continually working on some recording or another. Outside of my trio, I've been playing two other gigs:

Collective Pursuit. An 8 piece modern jazz group playing music composed by all members, under the leadership of trumpeter KT Chauvot. Loaded with talent, the band has really started to come together after getting some gigs under our collective belt. This gig definitely keeps my reading, arranging, and jazz chops in shape. We recorded three songs for a demo, and have been recording some of the shows as well. Check the MySpace page every now and then for more music.

Lauren Zettler. I'm not really a huge fan of the term "singer/songwriter" because it's so vague, but it's a good place to start when talking about Lauren's music. She's a fantastic singer and her writing gets better with every song. It's folk/pop/rock/alt-country/grunge/alternative/klezmer/reggae at it's best. Hopefully that make you curious enough to go listen to some of her music. I've played several shows and have been recording with her, something that will be released in the next couple months. I practice the "less is more" approach to playing her music, which is something every instrumentalist needs to do. Whatever the song needs, I try to do. This sometimes means playing mandolin or even harmonica, and sometimes NOT playing (what?!?). Lucky for Lauren, I'm a fantastic dancer and bust out the Hammer whenever I have more than 8 bars of rest.

I'm also starting a band with my good friend Eric Clay, formerly of Team Tomato. Eric and I started our first band in junior high, sold it three years later for $64 million, and are doing this start up for the same reasons. Actually, that's not true, but how cool would that be? Anyway, we've been writing music and will hopefully record some of it in the next couple months. This is a straight up rock band--the kind my wife was embarrased to tell her mom about. Her end of that conversation went something like, "Oh yeah, Eric has moved up here. Yeah, he's living with his girlfriend. Him and Cam are uh, writing some music together, and uh, you know, playing guitar." Just say we're starting a band! Although, it does kind of sound like something you do in junior high. My band phase. There are a couple people still waiting for me to get out of that one.

All the while I'm also trying to find time to finish another album of cover songs with my friend and singer Matt Ketteman. Matt has recorded all his vocal tracks, and now it's up to me to make the music sound good. I find myself being such a perfectionist that I usually get fed up with my results after adding a few parts and moving onto another project. I can't pinpoint what the problem is exactly, but this would probably be easier if I wasn't trying to do it alone. Matt, take a vacation. Come hang out with me for a week so you can press record, stop, undo, record, stop, undo, etc.

As I'm working on this stuff, my cat will be taking my calls. She's more likely to answer if you call between 4:27 and 6:51 in the morning, when she's usually knocking things off my bookshelf. The rest of the time, she's catching up on her sleep or taking a lunch break.

Monday, October 27, 2008

The excuse didn't work in college, either.

Keeping Up.


I've never been much of a tech freak or computer nerd or what-have-you, but I am pretty particular about certain things and like my HTML code nice and tidy.

Tonight I was putting together a web page for somebody. I taught myself web design about 5 years ago with a couple books. My first website looked awful, and the following two were a little better. The last time I redesigned my site was in the summer of 2007, just after my latest CD came out. Back then, it was still somewhat important to have your own website. Now that's just icing on the cake if you have a profile for every social networking site out there. I think they keep a running count of those things on a clock in Times Square. It's around 10 trillion now. What's that? Oh right, that's the national debt. Both are about as hopeless. I've digressed.

I need to redesign my site sometime soon, but it feels like I need to learn how to do it all over again. How are you supposed to keep up if you only do it once every 18 months? I've considered hiring somebody to do it for me, but then I hear nightmares about unresponsive web designers.

Oh well. I'm starting a rock band with my friend Eric. At least I get to make a new MySpace page.

Thursday, October 23, 2008

Twitter

There are at least 4,397 social networking blog websites for us to choose from, and for those of you out there doing the whole independent musician thing, you realize that you're only cool if you have profiles on at least 1,000 of them. Bonus points if actually log into them all once a month.

My approach has been to focus on one at a time and see what happens. I set up a Twitter account on August 11 after reading some press about how various companies are using it for customer service and bands are able to... etc. Enough for me to check it out.

The first thing I noticed was that many of my friends were already on Twitter, but most had stopped using it. Next I noticed that I'm long winded, because Twitter is a mini blog, and you can only post 140 characters and spaces or less. That's hard for us Mizells.

Other problems... how often do you Tweet? Should new Tweets have anything to do with previous Twits? Is it lame if you only Tweet once a day?

In any case, I have found some interesting information thanks to Twitter. Plus the search function allows you to track queries that might be relevant to you. I'm following terms as varied as "Cameron Mizell" and "cameronmizell" and "Cameron Mizell is awesome." So far the RSS feed is empty, but I haven't given up all hope!

In all seriousness, I'm trying this out for a while to see what happens. This is the only way to figure out what sites work best for me. Ultimately, I'm just trying to reach a few more people that might enjoy my music.

Follow me at Twitter!

Tuesday, October 21, 2008

Quest for a Decent Lunch

A New York Experience:

This afternoon I was hanging out with a friend, working on some music we've been writing together and cleaning up in the backyard of his new apartment in Fort Greene, Brooklyn. After a while we set out for some lunch.

My friend wanted to go to a spot where they made this sandwich called the Vegan Temptress. He talked about it as we walked the 6 or 7 blocks to the place. My mouth was watering. When we got there, the place was being used to shoot a movie, with Jason Schwartzman sitting in the window. We stood across the street staring while we tried to decide where to go eat, when the director turned around and gave some dude the stink eye while pointing at us, and we were quickly asked to leave.

Then we wandered around looking for a Mexican restaurant he wanted to go to, but of course couldn't remember where it was because he's only been living in Brooklyn for about a month. When we finally found it, it turned out it was closed on Tuesdays. Only closed on Tuesdays.

We ended up at a spot around the corner. Another Mexican restaurant, but they were playing jazz. I knew it was a Verve album because I recognized Herb Ellis' guitar, Lester Young's tenor sax, Buddy Rich's drums, Oscar Peterson's piano, which of course meant Ray Brown was on bass. But I couldn't pin point the trumpet player and asked the waiter. It was Harry "Sweets" Edison. Don't you hate it when that happens?

What I Learned at My Record Label Job


There's a new website in the works, and it'll be the future home for my blog. I've been working on an in depth article about what I took from working at a record label. It's pretty long, so I might not be writing too much more on 'Between the Music' this week.

What I Learned at My Record Label Job

After you're done, take a sneak peak at the site. If you're a musician, you can participate in the forum or even contribute an article yourself, simple read this post by Dave Hahn, my cohort and the true evil genius behind this adventure.