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Well, last year some friends of mine started learning blues harmonica, and it wasn't long before I became fascinated by the raw sound of that little instrument. The thing looks like a toy, and most people associate it with the suck and blow style of Bob Dylan or a handful of other folk artists. But once you've heard Little Walter, Junior Wells, Sonny Boy Williamson, James Cotton... all of a sudden that little toy is a huge, expressive force of sound. So last winter I started to practice.
We learned from some YouTube videos posted by Adam Gussow. I'd recommend them to anybody that wants to learn blues harp. Start with his introduction, and work through the first 15 or so to build a solid foundation to learn the rest.
What's been best for me, as a guitar player, is learning to phrase differently. You don't have to breathe to play guitar (though it helps keep you alive, which is required to play guitar), so a lot of guitarists just play rapid fire, nonstop lines with no breaks. I think it's natural to just keep going, thinking about the chord changes and wanting to hit everything, but the best notes you can play are usually the ones you don't. And with blues harp, you run out of air, or actually, you run out of lungs, because it's mostly pulling air in, through the harmonica, and filling up your lungs. That's totally backwards, because I do tend to take a deep breathe to help space out my phrasing when playing guitar, and for harmonica you have to empty all your air before playing a phrase.
The lesson here is at a certain point, changing the way you think about and play music is essential. It will pull you out of a rut on your primary instrument. You might have some fun at the same time.
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